Policy on Intellectual Property Right (IPR)
1 Introduction
2 General considerations
2.1 Fundamental idea of UHDTV
2.2 Classification of image systems
2.3 Application
2.3.1 Overview
2.3.2 Considerations of audience viewing
2.4 System model
2.5 Viewing conditions
2.5.1 Field of view
2.5.2 Angular resolution
2.5.3 Viewing distance
2.5.4 Surrounding luminance
2.5.5 Black and white luminance and electro-optical
transfer function (EOTF)
2.5.6 Technical constraints imposed by the assumed
display device
2.6 Feasibility of technologies required for development of UHDTV
3 Baseband image format
3.1 General considerations on the baseband image format in programme
signal chain
3.2 Parameters
3.2.1 Aspect ratio
3.2.2 Spatial and temporal sampling structure
3.2.3 Pixel count
3.2.4 Frame frequency
3.2.5 Non-linear coding function
3.2.6 Colorimetry
The influence of changes in red primary
Results
3.2.7 Colour encoding
3.2.8 Bit depth
4 Operational experience
4.1 London Olympics SUPER Hi-VISION public viewing operations
4.2 Implementation of UHDTV broadcasting
4.3 Initiatives for 8K/120 Hz broadcasting
5 Applicable specifications for UHDTV broadcasting
1 Summary
2 Fundamental
2.1 Why YC transmission is needed
2.2 Fundamental of YC transmission
2.3 The constant luminance issue
2.4 Block diagrams for the encoder and decoder in the non-constant
luminance (NCL) and CL
2.5 Crosstalk characteristics
2.6 Quality degradation by clipping
2.7 Evaluation index
2.8 Factors other than picture quality
3 The reference models of the NCL and CL
4 Objective and subjective evaluation results
4.1 Objective evaluation of YC encoding-decoding
4.2 The evaluation results in a production process
4.3 Real implementation vs. the hypothetical loss in G for the CL
4.4 The evaluation results in a delivery chain
4.4.1 The evaluation schemes and test sequences
4.4.2 The evaluation measure
4.4.3 The evaluation results in terms of BD-PSNR and
BD-Rate
5 Summary of the evaluation results
1 Introduction
2 Overview
3 Venue production
1) Outside broadcasting-van system (OB-van)
2) Shooting
3) Audio
4) Other issues
4 Transmission and editing
1) Line and transmission systems (Fig. 61)
2) Video post-production
3) Audio post-production
4) SHV preview room
5 Distribution and screening
1) Distribution and screening overview
2) Distribution system
3) Screening system
4) Screening venues and reactions
6 Conclusion
1 Japan
1.1 UHDTV satellite broadcasting services
1.2 Specifications for UHDTV satellite broadcasting
1.3 List of ARIB Standards
1 Development of high frame frequency 8K equipment
1.1 High speed camera
1.2 Studio Monitor
1.3 Video/audio encoder and decoder
1.4 Sheet-type flexible OLED display
2 Live production and transmission
1 Overview
2 8K UHD video and 3D audio broadcasting & distribution system
workflow
3 8K programme production and broadcasting in CMG
3.1 Basic technical specifications for 8K UHD programme video and
audio
3.2 8K UHD programme video and audio production requirements and
specifications
3.2.1 8K UHD programme video and audio production
requirements
3.2.2 8K UHD programme production basic specifications
3.3 8K UHD signal routing system
3.4 8K UHD broadcast system
4 8K distribution and transmission
4.1 Distribution and transmission of video and audio over private
network
4.2 Distribution and transmission of audio over Internet
4.3 Video and audio synchronization in heterogeneous network
(HetNet)
5 8K signal reception and display
5.1 Signal reception and display of "BaiChengQianPing"
5.2 System architecture
5.3 Reception and display technical specifications
5.3.1 Decoder specifications
5.3.2 LED Screen specifications
6 Main technology
6.1 AVS3
6.2 HDR VIVID
6.2.1 Introduction to HDR Vivid encoding
6.2.2 HDR Vivid decoding
6.3 Audio Vivid
6.3.1 Introduction to Audio Vivid
6.3.2 Audio Vivid decoding and rendering