Policy on Intellectual Property Right (IPR)
1 Introduction and design
goals for HDR television
1.1 Common
misconceptions on HDR
1.2 System black level
determination
1.3 System white and
highlight level determination
2 Television system
architecture
2.1 The relationship
between the OETF, the EOTF and the OOTF
2.2 Conceptual TV
system showing basic concepts
3 The legacy television
architecture
3.1 HDTV as specified
in Recommendations ITU-R BT.709 and BT.1886
4 RGB floating point HDR-TV
system
5 PQ HDR-TV
5.1 PQ system
architecture
5.2 Design of the PQ
non-linearity
5.3 OOTF and OETF
5.3.1 Generalized
OOTF from Recommendation ITU-R BT.1886 in combination with Recommendation ITU-R
BT.709
5.3.2 Actual
OOTFs from manually graded content
5.3.3 Resultant
OETF
5.4 Display mapping
5.4.1 Mapping
to display with limited brightness range
6 HLG HDR-TV
6.1 The hybrid
log-gamma opto-electronic transfer function (OETF)
6.2 System gamma and
the opto-optical transfer function (OOTF)
6.3 The hybrid
log-gamma electro-optical transfer function (EOTF)
6.4 Compatibility with
SDR displays
6.5 Traditional colour
reproduction for camera signals
7 Conversion between PQ and HLG
7.1 Transcoding
Concepts
7.2 Conversion
concepts using a reference condition at 1 000 cd/m2
7.3 Cameras using a
common OOTF at a reference peak luminance of 1 000 cd/m2
7.4 Handling PQ signals with greater than 1 000 cd/m2 peak
luminance
7.5 Possible colour
differences when converting from PQ to HLG
8 Colour representation for
chroma sub-sampling
8.1 Non-constant
luminance (NCL) Y’C’BC’R
8.2 Constant intensity
ICTCP encoding
8.2.1 Constant
intensity ICTCP encoding
8.2.2 Advantages
of constant intensity ICTCP
9 Some considerations on the
use of high dynamic range in TV image capture, mastering, distribution and
presentation
9.1 Television image
capture, production, postproduction and mastering
9.2 Television
programme versioning
9.3 Television
programme presentation
9.4 The typical home
viewing environment